“Bramblett shows no sign of slowing down as he and his band run through ten more reasons why the once sideman/now frontman is a classy, roots rocking journeyman on the verge of breaking out. Musically, the album’s combination of Steely Dan twisted jazz, Traffic-styled psychedelics and Beck influenced lyrical weirdness remains compelling and inventive.

The music, marinated in Southern swamp and alternating between sing-along catchy and more hypnotically mellifluous melodies, is so consistently captivating and creative, it’s impossible not to return for multiple spins. Like its haunting yet amusing title, Juke Joint at the End of the World is both familiar and oblique, simmering in Bramblett’s established style while bringing energy and imaginative passion to the table that, this far into his extensive career, is refreshing and even revelatory.” Hal Horowitz, American Songwriter